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Of the three, Yungan Grottoes stands out for its rich contents and refined carving. Preserved to the present in the Grottoes are 53 caves and over 51,000 statues. Yungan Grottoes consists of three sections, the east, the west, and the central, with caves of all sizes pleasantly scattered half way on Yungang Mountain. Caves in the east section feature in pogadas, thus clalled pogoda caves. Those of the central sections were all structured with a front and a rear chamber, with the Buddha in the center and relief carving all over the walls. Caves of the west section are mostly medium or small sized, or small niches added in later times, actually, in most cases, carved after the capital of North Wei Dynasty was moved from Datong to Luoyang. Statues in Yungang Grottoes model various religious figures with an image distinctive from each other. The technique not only inherited and developed the tradition form Qin and Han Dyansties, but also adopted much from Gandhara art, to create a unique style of Yungang Grottoes.
On the interior and exterior walls as well as the Budha’s halos and the caisson ceilings of the caves, there are vividly carved groups of assaras to manifest the world of ultimate happiness pursued by Buddhists. All the statues are modeled with marvelous personification that gives the Buddha a human nature and expression as well as infinite vigor as the ancient treasure of Chinese culture. In December of 2001, World Heritage Committee of UNESCO inscribed Yungang Grottoes in its World Heritage List.


